2008

Stewart, Stearns, and the Dutchman

After years of singing in Vegas and in choirs, baritone Jason Stearns—encouraged and mentored along the way by former leading baritone, Thomas Stewart—has finally arrived at center stage. Stearns discusses how his relationship with Stewart influenced his interpretation of the great roles, such as Wagner’s Flying Dutchman, his career path, and his life.

Oct 01 Maria Nockin

The Tech-Savvy Singer : Constant Contact

Last month, we discussed the ins-and-outs of starting an e-mail mailing list and sending mail blasts. Now we turn to more advanced techniques: sending professional-looking e-mails using Constant Contact and other mass e-mail services.

Oct 01 Amanda White

Laser Surgery of the Larynx

Laser surgery is one of the newest advancements in the medical field—but it is not always the best and most effective route to take. Dr. Jahn outlines when to opt for the laser and when to opt for the more traditional way.

Oct 01 Anthony Jahn, M.D.

Letters to the Editor

Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.

Oct 01 CS Staff

Center Stage : Patrick Anderson, Tenor

Patrick Anderson Columbus, Ohio Tenor Please tell our readers about your career highlights so far. Highlights include singing in a masterclass for Thomas Hampson, singing in a chorale that featured

Oct 01 CS Staff

Editor’s Note : Then and Now

Not long ago I went to an Apple Store to buy an armband for my video iPod. When I couldn’t find what I was looking for, I asked the store

Oct 01 Sara Thomas

The Beginning Is a Very Good Place to Start : A Conversation about the Feldenkrais Method and Master Teacher Maxine Davis

There is a new buzzword out there among singers. Perhaps you’ve heard it: “Feldenkrais.” What is the Feldenkrais Method? How does it help singers, and can it help you? This four-part series will introduce you to the method and show you some of what it has to offer.

Oct 01 Jill Anna Ponasik

Bulletin Board

Submit entries to the bulletin board by e-mail at bulletinboard@classicalsinger.com.

Oct 01 Maria Nockin

Center Stage : Leah Podzimek, Soprano

Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer,
visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!

Sep 01 CS Staff

Southern Leadership Pt 2 : Conductor William Fred Scott and Brenau University

Last month, CS featured conductor William Fred Scott’s thoughts on auditioning. This month, Scott shares details about his new position at Brenau University and its unique program to help singers emerge better prepared than ever for the operatic business. In addition, he discusses problems he sees in the training of young voices to have a “perfect” sound at the cost of individuality, personality, and uniqueness, and talks about what annoys him most about young singers today.

Sep 01 Daniel Vasquez

Creating Your Own On-Campus Performing Opportunities

Performing, performing, performing. That’s the name of the game as a young singer working to build a résumé. But what if your college or university falls short in providing these opportunities? Don’t sit on your hands feeling sorry for yourself. Consider other possibilities for creating your own performance opportunities.

Sep 01 Jason Vest

Most Memorable Moment of the Convention

For me, the Convention was smashing chiefly because of the presence of the truly great artist and Metropolitan Opera coach Joan Dornemann. I have read her book, Complete Preparation, which

Sep 01 Imelda Franklin Bogue