2008

What Do You Call That Thing?

For a voice student, attending a university often means taking a pedagogy class and learning anatomy. Whether you’re currently enrolled, teaching the class, or studying the material on your own, Dr. Jahn provides helpful hints for remembering the names and functions of the anatomical parts that makes up your voice.

Sep 01 Anthony Jahn, M.D.

Networking Opportunities

Networking opportunities abounded at this year’s Convention. I made quite a few connections with fellow singers, for instance, and because my picture was in the January issue of Classical Singer,

Sep 01 Veronica McHale

Learning from the Masters

I enjoyed many masterclasses and presentations at this year’s Convention. Ellen Rievman was very dynamic and energizing, very insightful and helpful in her suggestions and coaching comments. She worked very

Sep 01 Maryann Mootos

Most Memorable Moment of the Convention

For me, the Convention was smashing chiefly because of the presence of the truly great artist and Metropolitan Opera coach Joan Dornemann. I have read her book, Complete Preparation, which

Sep 01 Imelda Franklin Bogue

CS Convention ’08 : Another Rousing Success

Three attendees share their reviews of the Classical Singer Convention ’08 held at the Brooklyn Bridge Marriott Hotel May 29-31. Read about the fantastic events at this year’s Convention, and

Sep 01 CS Staff

What Not To Wear : Appropriate Attire for the University Student

Styles are getting more and more casual these days, but is it really OK to show up for studio class in jeans and flip-flops? Or should student singers be more conscientious about their attire in a university setting?

Sep 01 Katherine Kelton

Bridging The Transition : From Student to Pro

Several universities have fostered good relationships with local opera companies, choral groups, chamber groups, and symphonies—and their students are reaping the benefits.

Sep 01 Greg Waxberg

Starting Out At A Two-Year College : A Viable Option

For financial, scholastic, or other reasons, not all singers start out at four-year schools. What are the pros of starting at a two-year college, and how can you prepare yourself in those two years to move on to a bigger school? Professors and students weigh in on the issue.

Sep 01 Valerie White Williams

Genre War

When it comes to the question of opera versus musical theatre, singers can emerge dually victorious in an ever-changing market. Wherever you are in your career—just starting college, considering a master’s degree, auditioning for YAPs, or singing professionally—this discussion on crossover from teachers and general directors will give you food for thought.

Sep 01 Megan Gloss

The Tech-Savvy Singer : Mail Blast Basics

A good mailing list is critical to marketing yourself successfully. Tech-geek Amanda White takes you through the technical how-tos of setting up a list and offers suggestions on generating names for your list. In addition, she discusses using good e-mail etiquette to make sure you don’t offend your friends, contacts, or the law.

Sep 01 Amanda White

Inspirazione! : What Size Pond Are You Swimming In?

College is a much bigger pond than high school. The big city is a bigger pond than a small town. World-class opera companies are in a bigger pond than community theater. Bigger, however, isn’t necessarily better. The environment that is right for your greatest happiness and fulfillment may end up looking very different from your original idea of success.

Sep 01 Lisa Houston

Ask Erda: How To Make a Good Impression : Part I: The Beginning

Cindy answers a young singer’s question about how to put your best foot forward and come across like a professional. Do you have a question for Cindy? E-mail it to erda@classicalsinger.com.

Sep 01 Cindy Sadler