Center Stage : Elizabeth Herlitz, Soprano


Elizabeth Herlitz,
soprano
Baton Rouge, La.

What have your career highlights been, up until now?

An apprenticeship with Toledo Opera. Although the work schedule was grueling at times, it completely immersed me in my craft and gave me an opportunity to solidify my technique. After all, there is no way you can run around doing kid shows at 8 a.m. and sing a solid high C without good technique.

What are your goals for the next five years? The next 10 years?

In five years, I would like to have completed at least two more YAPs with B or C level houses and hopefully move on to an A house YAP like Merola, Houston or Pittsburgh. In 10 years, I hope to be well on my way to establishing myself as an excellent, dedicated and dependable singer among a “circuit” of reputable companies both in the United States and abroad. I also hope to constantly be working on my technique both as an artist and singer.

What is your dream role and why?

The title role in Carlisle Floyds’ Susannah. The music and libretto work in beautiful tandem so you can’t help but become involved emotionally in the story, both as an audience member and as a singer. Although Susannah doesn’t die in the literal sense, her sense of hope and wonder dies. That, to me, seems like a far more painful thing to happen to someone. Especially right now here in Louisiana since Katrina and Rita, I think this particular work has something very important to say to us as people.

What is your favorite article you’ve read in Classical Singer, and why?

The recent article featuring Jennifer Wilson [March 2006]. As a soprano with a big voice who is also young, I can completely identify with people not knowing exactly what to do with me. Her story is very inspiring because she just kept on perfecting her technique and studying her craft. For her, not singing was never an option.

Who is your favorite singer?

Renèe Fleming – she always gives such honest performances, both musically and dramatically, not to mention she has impeccable technique. But most importantly, being a good singer and mother have always been first, never being a superstar.

Do you have a motto by which you live?

First, you can never apply rational thought to an irrational situation—it will never work. Second, time and preparation can take care of almost anything.