My love of all things historic, cultural, and Italian has made Philadelphia one of my favorite places. From Constitution and Independence Halls, to the Kimmel Center for the Performing Arts, to the Italian market, the City of Brotherly Love offers a little something for everyone. I can’t imagine a better place for the Classical Singer Convention 2006.
This year, as we prepare for our third Convention, Philadelphians mark the 300th birthday of one of America’s most famous founding fathers, Benjamin Franklin. To experience a few of the festivities in tribute of Mr. Franklin, Convention attendees can dine on a “Benschetta” or “Ben-be-cue”, or imbibe a refreshing “Ben-tini” or “Ben-seng Ice Tea.”
In honor of Mr. Franklin—and the Third Annual Classical Singer Convention, convening next month in his adopted hometown of Philadelphia—I join with this famous American to introduce the April issue.
“Well done is better than well said.”
Amidst Philadelphia’s many cultural attractions sits the Opera Company of Philadelphia, headed by Robert Driver, the company’s general and artistic director. Featured as this month’s cover story, Mr. Driver shares how OCP knows that managing change and experiencing success require more than “just hoping.”
“Sloth makes all things difficult, but industry all things easy.”
Connie Barnett returns with part two in her series on “placematting.” This unique time-management technique will help you find time for everything on your plate, from the “have-to’s” to the “want-to’s.”
“Energy and persistence conquer all things.”
If you feel tired just reading that, peruse Brooke Lieb’s article on the Alexander Technique, and discover what it can do for singers. In addition to classes on Alexander at the convention, Bob Swedberg, general director of Orlando Opera, will be doing morning yoga classes. Both classes are sure to help you put that spring back in your step.
“Genius without education is like silver in the mine.”
While singing ability does reign supreme, you are more than your voice. The business of singing requires evaluating your entire package. In this issue, Cindy Sadler educates singers on improving their overall package to become more marketable.
“Hide not your talents, they for use were made. What’s a sun-dial in the shade?”
Marquita Lister is enjoying a thriving international career, but she hasn’t forgotten her roots. She gives back by making time to work for the “Negro Spiritual” Scholarship Foundation, ensuring that other African-American singers have opportunities to use their talents and follow their dreams.
“An investment in knowledge always pays the best dividends.”
Jacque Trussel, CS’ 2005 Stage Director of the Year, and Ellen Rievman agree that believable characters and acting require a thorough study of the text. Ellen Rievman shares how she uses this approach to help singers turn auditions into performances. Jacque Trussel reveals his step-by-step approach for building great characters.
“Fish and visitors smell in three days.”
That’s precisely why the CS convention lasts only three days! But those three days are filled with practical knowledge, beautiful singing, one-on-ones with masters (coaches, teachers, general directors, etc.), networking opportunities galore with both fellow singers and industry professionals, and a whole lot more.
Join Classical Singer and top professionals in the industry, from conductors to general directors, in one of my favorite cities for three unforgettable days. You won’t regret it.
