From the Editor : The Price You (Still) Pay
In recent months, we have a run a series of articles on audition fees for singers. And in this issue, Cindy Sadler continues her discussion on the topic, outlining what singers specifically want to change about the current audition scene (p. 14). One argument that always emerges in such a discussion—and Sadler’s article is no exception—sums up like this: “Musical theatre auditions never require a fee!” An editorial I wrote in August 2009 is just as relevant today as it was then.