Can't afford to catch a cold this winter? Read on to see what Dr. Jahn recommends to avoid getting sick!
This holiday season many singers can expect to have performing work in churches. Here are some issues to take into account as you prepare for these jobs.
New York City’s subway stations are typically filled with unpleasant noises—screeching trains, screeching people, and distorted PA announcements. But some fortunate commuters encounter beautiful opera singing instead, thanks to an organization called The Opera Collective (TOC).
New York’s first disability-affirmative opera company Opera Praktikos (OPrak) is on a mission to make opera more accessible and inclusive. They have an upcoming production December 12-14. Read on to learn all about it.
Alison Scherzer shares her experiences in contemporary vocal music and working abroad as a singer.
This month’s column explores the value of hindsight, living life on life’s terms, growing in confidence, and choosing connection.
Recent recipients of the Discovery Grant, composer Whitney George and librettist Bea Goodwin discuss their new opera "No Man’s Land" as well as the women-focused work of the groundbreaking ensemble The Curiosity Cabinet.
Join Teddy Siegel, a 25-year-old soprano and founder of Got2Go, as she shares the unfiltered truths, challenges, and triumphs of chasing her dream in NYC. Welcome to Diva Diaries!
In this new online series, CS features the practice spaces and teaching spaces of our favorite artists, teachers, and readers. We begin with our editor—we couldn’t invite ourselves into your homes without first inviting you into ours!
In this article, we learn about the possible adverse effects of medications on singing and how to mitigate them.
One of the most challenging aspects of a career in singing is funding it. Most singers must have a “day job” of some kind. Read on to hear from singers who balance work in other industries.
Kathryn Frady, a critically acclaimed soprano and stage director, is known for her compelling performances of roles in Verismo and new American operas as well as for her imaginative stagings, groundbreaking productions, and for making opera accessible. Read on to learn more about her.
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