Classical singers are finding ways to get the jobs they desire. We hear from so many—and we want to share their stories of how they are succeeding. Here’s one from Isabel Liu.
What came first, the chicken or the egg? The composer or the performer? A new Songfest program helps singers, pianists and composers learn that what matters is that everyone come together.
The American Institute of Music (AIMS) is the granddaddy of summer programs and has had a lot of changes over the years. Sara Thomas reports on where it stands now.
How do you get hired when the hirers say you still need more experience? Summer programs are a great way to start but you need to research them carefully. There are a few bad programs out there. Classical Singer asks for evaluations from attendees every year. Here's our report.
Have you found it difficult to obtain a great headshot? Are you frustrated because you’re not sure what to look for in a photographer? Here’s what you should know when you interview photographers, from someone who knows best—a photographer!
He thrilled on the opera stage, moved fans on the baseball field and was a wit in social circles. He will be missed by friends and fans alike.
My first encounter with the titanic vocal talents of soprano Brenda Harris was in 1993. I was a high school sophomore, and she was Donna Anna in Don Giovanni .
Longtime opera buff to take lead role at Met Peter Gelb, 51, will report for duty Aug. 1, 2005 at the Metropolitan Opera, where he will work with current General
“I, too, dislike it,” declares Marianne Moore in the opening line of her much-anthologized poem, “Poetry,” But she then goes on to say what poetry could and should be. This
Dear Editor: We LOVE the positive spin of this magazine! It has really evolved! We cannot bear [another opera publication]. I suppose it is the magazine for fans, but this
Getting your hands on money to attend or start a summer program or a recital series or…can be daunting. Here's help.
Two blue-haired ladies, as the story goes, were in an art gallery—and one of them, as they passed each timeless painting, would scoff and snort with disgust. Eventually, the curator
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