Singing is a way of Thinking : An Interview with Tenor Ramon Vargas
The first time I saw Ramon Vargas on stage was in 1999 at the Vienna State Opera, as Edgardo in “Lucia di Lammermoor.” That season, he also sang Nemorino in “L’Elisir d’amore,” so I had the good fortune to witness unforgettable performances of two very different bel canto roles. I was a student at the Viennese Academy of Performing Arts, and little did I know that my encounter with this complex and generous artist would completely change my perspective on singing and on life in general. Perhaps we have all had the chance to meet—at some point in our lives—an extraordinary individual who becomes a mentor, a source of inspiration, and someone whose wisdom and knowledge help us grow not only as artists, but also as human beings.
When I suggested to Mr. Vargas that I would like to share with other singers and non-singers a “condensed” version of the many discussions we have had on the topic of singing and life as an artist, he agreed without hesitation. It is a great honor for me to present this interview as a glimpse into the mind of one of our greatest singers today.
