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  • July 2011

Classical Singer Magazine
Teaching Perspective : Voice Teachers on Young Artist Programs

After years of training with a teacher, you are ready to make the move on from university training. What can you expect vocally when you do so? Two voice teachers provide their views of what it takes to gain entrance to and survive a Young Artist Program.
Jul 01
The Lone Star’s New Stars

It may be more grueling than Canyon Ranch, but Houston Grand Opera’s Studio program offers a similar spa-like experience for the voice. Find out from current Studio artists what makes this program great, what administrators look for in Studio artists, and where former artists are singing now.
Jul 01
From the Editor : Your Voice

I typically do not watch reality TV shows. In spite of their titles, the shows feature very little real-life content. So my recent fascination with a new reality show, The
Jul 01
Combining the Green with the Seasoned : The Jane and Allen Tyler Young Artist Program

CS decided to find out more about Opera on the James’ new Young Artist Program, which just finished its inaugural year. The program’s first four participants tell why they decided to take a chance on a start-up program and how it compared to their expectations.
Jul 01
Put Me In, Coach : The Role of the Vocal Coach in Young Artist Programs

Four coaches from Young Artist Programs share what their job entails, how they strive to inspire singers, and what they think singers need to be accepted to and find success in a Young Artist Program.
Jul 01
Could Singing in a Young Artist Program Help You Succeed in the Met’s National Council Auditions?

CS catches up with the five recent winners of the 2011 Met National Council Auditions to discuss how their YAP participation played in to their recent success in one of the most coveted wins. Read what they feel made the difference here.
Jul 01
Great Artists on Great Teaching : Five Points from Six Teaching Artists

Six artists and teachers share what they consider are the five most important things a singer should do. From posture to a released jaw to having your materials always at the ready, it’s all here.
Jul 01
What Else Did You Bring…?

This long-time manager and singer consultant who has sat in on countless auditions over his 30-year career shares what you can control in the audition setting. Read about why considering what your auditioning for is paramount, as well as what you wear, what you sing, and so much more.
Jul 01
Stage Door Entrance : How Can Singers Land Engagements with Symphony Orchestras?

Get a glimpse into the obscure world of orchestral work from those who do the hiring.
Jul 01
Headquarters: Berlin

Five singers working in Berlin tell what it’s like to have a Fest contract, how the audition scene is changing, as well as what are the perks of living in Germany’s capital city.
Jul 01
Ask Erda : Don't Be Cavalier with Your Career

With audition season just around the corner, brush up on how to ensure you make a good and professional impression every time.
Jul 01
The Tech-Savvy Singer : iPhone Hypnosis

Hypnotize yourself at the touch of a screen. Can it really work? And what are its benefits for singers?
Jul 01
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