Classical Singer Magazine

The $50 Week : Do You Have to Be Rich to Be a Great Singer?

In response to an anonymous Internet rant gone viral that claims that only the rich can be famous opera singers, Olivia Giovetti takes the writer to task, evaluating the claims made against the realities of the business.

Jul 01 Olivia Giovetti

From The Editor : Sing by Not Singing

Sometimes it’s the smallest bit of information that can make all the difference. I have been a casual yoga doer for nearly 10 years, and while I do only 15

Jul 01 Sara Thomas

Bulletin Board : News, Tidbits, Musings, and more

New Mariinsky II Opera House Opens to the Public With three nights of celebratory gala performances, the new, state-of-the-art Mariinsky II Opera House opened in St. Petersburg, Russia, on May

Jul 01 Maria Nockin

Meet Sasha Cooke

Mezzo soprano Sasha Cooke honed her skills in top music programs that led to top Young Artist Programs. And while she credits her fine technique to her excellent training, she also recognizes that it’s her commitment to musical expression that sets her apart. Learn how the rising star keeps things in perspective on the road, including traveling with her toddler, and what her favorite music is that drives her career. This mild-mannered Texan may be the next big thing in mezzos, but she will get there on her own terms.

Jul 01 Amanda Keil

The Entrepreneurial Career : The Deep Blue Sea

Following the pack, like pursuing every YAP audition with every other aspiring singer, might not be the best path for you. Consider adapting a new business concept known as Blue Ocean Strategy to energize your career.

Jul 01 Amanda Keil

Thyroid Disease, Thyroid Surgery

Dr. Jahn joins with Dr. Youngnan Jenny Cho to discuss thyroid disease and surgery. Find out what singers need to know about the thyroid.

Jul 01 Dr. Anthony F Jahn and Dr. Youngnan Jenny Cho

Developing Healthy Figurative and Physical Voices

Stifling our emotions and inner voice can cause havoc on our physical voice. Discover ways to free your emotions and, in turn, your singing voice.

Jul 01 Michelle Kunz

Improv Goes to the Opera

Find out how two opera companies and one training program are using improvisation to draw audiences in and how it is proving beneficial for both audiences and singers alike.

Jul 01 Julie Lyn Barber