Classical Singer Magazine

Indianapolis Opera: : A Singer's-Eye View

At Maestro Caraher’s suggestion, to get a “singer’s-eye view” I spoke with some singers who have performed roles with Indianapolis Opera. Gran Wilson, Sarah Coburn, and Timothy Noble all praised the friendly atmosphere and strong work ethic of the company.

Jun 01 Ellen Denham

Good Times, Great Opera : James Caraher and Indianapolis Opera

Indianapolis Opera, under the direction of James Caraher, is pleasing not only its audiences but also its singer employees. This two-part article shares first Mr. Caraher’s thoughts on everything from IO’s young artist program to his own training, and second, some singers’ thoughts on Indianapolis Opera.

Jun 01 Ellen Denham

San Diego Opera Ensemble: : Twenty-Five Weeks of Practice and Performance

Dr. Nicolas Reveles, director of the San Diego Opera Ensemble, shares details about the prestigious opera company’s program, and about the audition process singers follow to become a part of that program.

Jun 01 Maria Nockin

From the Outback to the Wild West: : Ian Campbell & San Diego Opera

Born in Australia, Ian Campbell has spent much of his career in America. Find out what has made him and San Diego Opera so successful—and read his list of dos and don’ts for singers.

Jun 01 Maria Nockin

‘At Last An Aida!’ : An Interview with Angela Brown

No stranger to the stresses and difficulties of a singing career and on the brink of a burgeoning career, Angela Brown tells all—from creating her own programs to handling the stress and excitement of her Met debut.

Jun 01 Maria Nockin

Ask Dr. Jahn : The Next Best Thing to a House Call

“May you live in interesting times,” says an old curse—and from a medical standpoint, singers’ lives are always interesting. Dr. Anthony Jahn MD answers questions about singing and health.

Jun 01 Anthony Jahn, M.D.

Managing Rejection and Criticism

Two things every singer can count on in this business? Rejection and criticism. Learning to cope while maintaining a healthy and honest self-perception can be extremely difficult. Cindy Sadler offers CS readers some valuable tools for the task. Whether it’s laughing at yourself or throwing a temper-tantrum, it’s all here.

Jun 01 Cindy Sadler

Classical Singer Magazine

Indianapolis Opera: : A Singer's-Eye View

Good Times, Great Opera : James Caraher and Indianapolis Opera

San Diego Opera Ensemble: : Twenty-Five Weeks of Practice and Performance

From the Outback to the Wild West: : Ian Campbell & San Diego Opera

‘At Last An Aida!’ : An Interview with Angela Brown

Ask Dr. Jahn : The Next Best Thing to a House Call

Managing Rejection and Criticism

Bulletin Board

Letters to the Editor

Editor’s Notes : General Directors and You - A Good Team

Search

Opportunities

Archives