Classical Singer Magazine

The Singer’s Library : Training Contemporary Commercial Singers

In her new book, Elizabeth Ann Benson interviews and collects the wisdom of many CCM experts and pedagogues from around the world.

Sep 12 Brian Manternach

The Music Major Minute : What's New with the Italian Songs and Arias Collections?

Whether revisiting the classics or looking to expand your repertoire into more modern interpretations, find information on which Italian vocal anthology will best serve you.

Aug 17 Christi Amonson

Opera Singing Mamas : The Career (Part 2)

Following part one of an illuminating interview with six established opera stars whose individual experiences with the pregnancy, labor, and postpartum processes and the impact on their instruments were

Aug 12 Kathryn Leemhuis

Experiments in Opera

he pandemic brought about many innovations in opera, and Experiments in Opera (EiO) was especially poised to respond creatively. The company commissions new operas that are adventurous, funny, and collaborative

Jul 05 Joanie Brittingham

Das Musikkorps Director Marches to a Different Beat

ieutenant Colonel Christoph Scheibling has directed German military concert bands during groundbreaking performances and collaborations in Israel and Afghanistan. Now as the director of the concert band of the German

Jun 27 Justin Smulison

Crossover Corner : How Do I Know When I'm in the Danger Zone?

any classical singers are curious about crossover styles but tentative to truly explore other genres. Read on for how to establish best practices in mix/belt styles and to recognize any

Jun 05 Christy Turnbow

The Doctor Is In : Exercise, Hydration, and Singing

Dear Dr. Jahn: I’ve recently taken up Olympic lifting as a side hobby and I’m worried that it will have an effect on my voice. Are there any negative effects

May 15 Anthony Jahn, M.D.

Meghan Picerno : Bold and Unapologetically Herself

Meghan Picerno credits much of her success not only to her “team” but also to her adaptability, courage, work ethic, and ability to be open to new opportunities. Despite the pandemic’s crushing blow to the classical singing world, these traits have allowed Picerno to adapt to new performing opportunities and learn new skills. Read about her big break, the benefits she has found as a crossover artist, her advice to singers, and her hope for the future of performing arts.

Apr 16 Joanie Brittingham