Elizabeth Stanley’s path to the stage did not go as initially expected. Beginning first as a classical singer with a vocal performance degree, she quickly realized her passion and place in the musical theatre world. Her career now includes Broadway national tours, revivals, and originating roles. In this Classical Singer exclusive, she discusses her process for creating many different vocal qualities and styles, what life is like in a touring company, and the necessity for singers to share their own unique talent free from outside influences.
The first Ask Erda column appeared in the January 2002 issue of Classical Singer magazine and focused on “times are hard.” I’d been writing for the magazine for five years prior
The Feldenkrais Method has been aiding singers for decades but has only recently become more accepted with scientific backing. Discover more about this method in a second edition publication.
Read about a cherished pianist who dedicated countless hours to budding singers in New York City.
No matter where you’re at in your performing career, begin utilizing the many benefits of crossover work.
Have a look at what classically trained singers are saying about their transition to Broadway.
Are you wondering about the logistics or process of crossing over into musical theatre from the classical world? The first segment of this new Classical Singer column aims to answer many of these questions and brings to light other questions you might not have already considered.
Amy Justman’s career has included both Bach’s St. John Passion and Sondheim’s Company and many works in between. Learn how her strong musical background has made her not only able to cross such large divides but also a more marketable and a sought-after performer.
