Munich and Vienna remain very lively centers for opera, and both companies employ American singers. At the Bavarian State Opera in Munich this year, the Italian director Luca Ronconi staged
“There I am, at about 23, in The Rake’s Progress. We did it here at the old Skylight, where the orchestra was under the stage and you couldn’t see the conductor at all. Imagine singing that score under those circumstances.”
Cindy Sadler asked singers from the Classical Singer Forum and the New Forum for Classical Singers to contribute their ideas about the path to self-knowledge.
Stamp to Honor Marian Anderson The U.S. Postal Service recently announced it will issue a commemorative stamp featuring the renowned contralto Marian Anderson. Set to be issued next year, the
This book is an important resource for singers, teachers or anyone interested in the singing voice.
Dear Editor: I’m enjoying the articles on what singers who are still in good voice can do to create their own roads to “success.” I’ve had a hard time coming
Wouldn’t it be great if you could get inside the minds of your audience, or the minds of those who audition you, and know what they are thinking about you
I had a rather irate e-mail this month from a singer who is unhappy about our statement that every singer should have a Web site. He drew the conclusion that
Is it for you? You may find a new world of music waiting for you.
Why another article on acid reflux? Our readers keep asking for more! This is a new twist: a holistic approach to healing reflux—no talk about pills or surgery, but rather a natural, approach to digestive health.*
The life of a singer is often filled with conflicting interests, and singers feel torn. Here are some new ways to look at those conflicts and come out with successful resolutions.
Our Met violinist takes us back to the pit to see what is going on between conductor, singer and orchestra. This will help you understand why your accelerando, practiced so perfectly in rehearsals, can sometimes fall apart in performance.
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