Classical Singer Magazine

From the Editor : What Other People Want

I have a love-hate relationship with e-mail. I love it because it makes communicating with others so much easier! I hate it because my ever-overflowing inbox is also ever-overwhelming. But

Nov 01 Sara Thomas

Bulletin Board : News, Tidbits, Musings, and more

New Conductor Bites Off More Than He Can Chew Conducting the Oslo Philharmonic, Vasily Petrenko won excellent reviews for his season-opening performances, but comments the 37-year-old Russian later made to

Nov 01 Maria Nockin

Listen to Yourself : A Conversation with Christa Ludwig

Christa Ludwig remains one of the greatest voices of the last century. Her career spanned five decades (from her debut in 1946 to her final performance in 1994) in both the mezzo soprano and dramatic soprano Fachs. Since her retirement, Ludwig gives regular masterclasses, passing on her pearls of wisdom polished over a lifetime of experience, to a new generation of singers. CS caught up with the mezzo/soprano at just such an event in Graz, Austria, last summer.

Nov 01 Dean Southern

Distant Voices : Richard Tucker

Arguably the best American tenor of the last century, Richard Tucker made a name for himself at home and abroad singing over 700 roles at the Met and with performances in London, Vienna, Verona, Milan, and Florence. Find out what made this tenor great.

Nov 01 Dean Southern

No Colds This Winter?

Tired of the incessant coughing, sniffling, and sneezing—either your own or someone else’s—that winter brings? Dr. Jahn has advice to help you avoid catching a cold, recover quickly if you catch one, and practice good cold etiquette to avoid spreading it to others.

Nov 01 Anthony Jahn, M.D.

My Week with Jeritza : Concert Pianist Frederick Marvin Recalls the Legend

Imagine discussing your characterization of Tosca with Puccini himself. Soprano Maria Jeritza did just that, and a pianist who knew her when remembers.

Nov 01 Tony Villecco

The Bipolar Classical Singer

In this conclusion to the two-part series, Rodriguez carefully and compassionately takes readers through the realities and possibilities for the singer who is bipolar. Discover ways to not only cope and survive but also thrive.

Nov 01 Theresa Rodriguez

Madison Rising

While some say opera is meeting its demise, Madison Opera has emerged as a leader in the industry.

Nov 01 Megan Gloss

A Man and His Music : Glendower Jones and Classical Vocal Reprints

With music stores closing left and right, one man and his legendary music collection struggle to stay afloat. Read about Glendower Jones and how he became known as the man who “is the answer.”

Nov 01 Ann Marie Wilcox-Daehn

Early Bird or Night Owl : Strategies to Make Your Performance Shine, No Matter the Time

Four singers and a registered dietician share tips for diet, exercise, and rest on the day of show to help you sing well whether your performance is morning, noon, or night.

Nov 01 Greg Waxberg

How to Brand, Market, and Promote Your Opera Company

In article three of this five-part series on how to create your own opera company, learn the ins and outs of creating a strong brand through a logo, company name, and mission statement. Then read how to market and promote that brand through social media and the press.

Nov 01 Genevieve Thiers

Leading Tenor? : What a Bore!

The leading tenor may get the girl, but the character tenor gets the laughs and so much more. Steven Cole explains what makes a character tenor.

Nov 01 Steven Cole with Joseph Smith