November 2013 – All Articles

Four singers and a registered dietician share tips for diet, exercise, and rest on the day of show to help you sing well whether your performance is morning, noon, or night.

In article three of this five-part series on how to create your own opera company, learn the ins and outs of creating a strong brand through a logo, company name, and mission statement. Then read how to market and promote that brand through social media and the press.

The leading tenor may get the girl, but the character tenor gets the laughs and so much more. Steven Cole explains what makes a character tenor.

Can’t figure out why you’re not getting ahead? Receiving conflicting advice? Here are some tips for sleuthing out the truth and putting it to use.

Raising money from foundations isn’t easy, but several funders want to support artists just like you.

I have a love-hate relationship with e-mail. I love it because it makes communicating with others so much easier! I hate it because my ever-overflowing inbox is also ever-overwhelming. But

New Conductor Bites Off More Than He Can Chew Conducting the Oslo Philharmonic, Vasily Petrenko won excellent reviews for his season-opening performances, but comments the 37-year-old Russian later made to

Christa Ludwig remains one of the greatest voices of the last century. Her career spanned five decades (from her debut in 1946 to her final performance in 1994) in both the mezzo soprano and dramatic soprano Fachs. Since her retirement, Ludwig gives regular masterclasses, passing on her pearls of wisdom polished over a lifetime of experience, to a new generation of singers. CS caught up with the mezzo/soprano at just such an event in Graz, Austria, last summer.

Arguably the best American tenor of the last century, Richard Tucker made a name for himself at home and abroad singing over 700 roles at the Met and with performances in London, Vienna, Verona, Milan, and Florence. Find out what made this tenor great.

Tired of the incessant coughing, sniffling, and sneezing—either your own or someone else’s—that winter brings? Dr. Jahn has advice to help you avoid catching a cold, recover quickly if you catch one, and practice good cold etiquette to avoid spreading it to others.

Imagine discussing your characterization of Tosca with Puccini himself. Soprano Maria Jeritza did just that, and a pianist who knew her when remembers.

In this conclusion to the two-part series, Rodriguez carefully and compassionately takes readers through the realities and possibilities for the singer who is bipolar. Discover ways to not only cope and survive but also thrive.