Feeling frustrated with your 9-to-5 day job that has nothing to do with music? One CS reader found himself in those very shoes, but then discovered that he had more job options than he once thought. Read how keeping an open mind helped him find employment that used his musical skills and prepared him for other career opportunities down the road.
Looking for a way to keep your arias fresh, try out new repertoire in front of an audience, and work with fellow singers? Read about a new music group on the scene in New York City that has found a way to do just that—and make a little money in the process.
Most singers are familiar with the American Guild of Musical Artists (AGMA), a union that does a superb job of protecting singers. You may not know, however, about another union for musicians that also works to protect your best interests. Find out if the American Federation of Musicians offers something for you.
The ability to go with the flow and enjoy life is a desirable attribute for anyone, but because it ties into our creative abilities, it’s even more essential for singers. Working with the second chakra can help you unlock your emotions, creativity, feelings, and sexuality, enhancing who you are both on and off the stage.
Our series on singing and financial success continues, as Lynnette Owens introduces Success Principle No. 2. Discover more about how your thought patterns directly affect your actions, and subsequently influence the resulting outcomes. Learn the truth about many money myths and how to effectively change your negative patterns of thought.
Classical Singer proudly salutes Michael Spierman and The Bronx Opera Company on nearly four decades of achievement and wishes them continued success in the years to come.
Welcome back to “Inspirazione!” We hope you enjoyed last month’s inaugural column and that you’ll stay in touch with your own inspiring experiences and techniques by e-mailing lisa@classicalsinger.com. Over the coming months, Lisa will expand the column a bit to include more tips and ideas from experts such as the teacher, the coach, and the stage director of the year, so stay tuned! This month, consider how you use your instrument, specifically when you’re not singing.
When Erda reminds you this month to “mind the gap!” she’s not talking about riding the tube in England, but rather answering queries from two different singers. Both ask what to do about the gaps on their résumés, and Erda has just the advice they need.
Singers are unique in the music world in that our own bodies are our instruments. Whatever affects our physical, mental, or emotional states can affect our instruments—and some of the most profound and insidious effects can take hold with the things we put into our bodies, especially alcohol, cigarette smoke, and recreational drugs. When does the use of these substances become abuse? How does substance abuse really affect our instruments, our bodies, and our lives? CS readers weigh in.
With sensational singing and great successes behind her and nothing but opportunity on the horizon, Andrea Gruber seems to have it made. Unbeknownst to many, however, her struggle with addiction almost ruined her career. Now, with ten years of sobriety under her belt, Ms. Gruber speaks candidly about throwing off the chains of addiction and saving her voice.
Hailed for his booming baritone voice, strong stage presence, and all-around charisma, Charles Taylor has appeared on stage at the Metropolitan Opera, Portland Opera, and Pacific Opera, to name just a few. Taylor’s road to fame, however, has been anything but typical. After years of substance abuse, Taylor resolved to sober up and start again. He has applied that same determination to his singing career and is now reaping the rewards.
Exactly what are those two nubs on either side of your palate? Do you need them, should you ignore them, or have them taken out? CS’ resident physician shares the answers.
