Find out what you need to do during school so that, with diploma in hand, you’re ready to really start your singing career.
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
A singer and voice professor, who started out as a pianist, shares insights on the how-to’s of effective practicing. Find out how to make the most of those moments in the practice room, including ways to practice without even opening your mouth.
. . . And the Show Continued to the End American soprano Joyce DiDonato was singing Rosina in Il barbiere di Siviglia on opening night at London’s Royal Opera House
Professors from six major universities weigh in on what helps to set singers apart in a college entrance audition when it comes to language, diction, and meaning.
What is Twitter, how do you do it, and how do you not do it?
At the Classical Singer Convention last May, judges commented that many singers at every level, from high school to professional, were singing inappropriate repertoire. Read on to find out how you can avoid this far too common faux pas and know what songs are the right ones for you.
A pretty voice might not be enough. Know how to market yourself in the ever-changing and competitive business of singing.
If you have a doctorate degree or are considering earning one, read what five general directors and one manager have to say on the subject.
Don’t be caught unawares come December 1 when graduate applications are due. Find out everything you need to know to begin preparing now.
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