Tony Arnold has made a name for herself as a sparkling performer of some of the most daunting new music. A soprano who was a conductor first, Arnold built her career around her favorite composers and collaborators. Here she shares how you can do the same.
Two living composers discuss their first forays into writing opera, the challenges they faced, and how their lives and careers came together to better their work.
Kiera Duffy stepped into the Metropolitan Opera limelight when she became a finalist at the 2007 National Council Auditions and was featured as a central character in Susan Froemke’s documentary, The Audition. Four years later she is known for her stellar musicianship and the ability to sing contemporary music with both elegance and ease.
Texas is not the first state that may come to mind when you think about American opera, but perhaps it should be. With a number of major opera companies hosting significant U.S. debuts and world premieres, there is no lack of opportunities for singers and record numbers of New Yorkers and Californians are flocking to the state. Just what is the allure of the Lone Star State?
Many opera companies have singers stay with local board members or volunteers during the rehearsal and performance process. Learn how to make this a positive for all involved and read about the good, bad, and even ugly experiences of others.
Another audition season is in full swing, which means travel for many singers. Discover 11 websites that are sure to make your travel easier and affordable.
When I first read Susan Eisenberg’s cover story featuring Robert Orth (p. 20), I couldn’t stop reading. I knew little of Orth’s career and began reading, curious to learn more.
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Salvatore Licitra Dies Nine Days after Traffic Accident On August 27, 2011, 43-year-old tenor Salvatore Licitra, who had traveled to Sicily to accept a prize, was injured while riding a scooter in
We continue last month’s discussion on professional role preparation with a candid discussion with coaches, a conductor, and stage directors about expectations. What level of preparation do they expect from singers when they step into the rehearsal process? Find out here and avoid being caught ill prepared.
Tenor Steven Ebel shares how he landed a spot as the only American in a London YAP, as well as how he manages to both sing and compose professionally.
Last month Cindy discussed how to prepare before you get to rehearsal. In this installment, she shares the unwritten rules of professional rehearsal behavior once you are at rehearsal.
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