A pretty voice might not be enough. Know how to market yourself in the ever-changing and competitive business of singing.
If you have a doctorate degree or are considering earning one, read what five general directors and one manager have to say on the subject.
Don’t be caught unawares come December 1 when graduate applications are due. Find out everything you need to know to begin preparing now.
In a profession where competition runs extremely high, it’s the little things that often make the difference. Attitude is one of those seemingly little things that can actually determine whether you work or don’t, as well as how pleasant your life is when you are working. Regardless of where you are in your career—just beginning your freshman year or completing your fiftieth professional gig—these thoughts on attitude are for you.
Nearly all voice majors will sing in a choir at some point during their education. Voice teachers’ and choral teachers’ opinions about the effects of choral singing vary greatly. A voice teacher and a choral instructor, both from Eastern New Mexico University, give their viewpoints on a few of the issues that affect the singer in a choral setting.
This new monthly feature in CS brings you book reviews for all facets of a singer’s life. This month, find out how a new book on healthy choral singing helps singers achieve a healthy, free sound in a choral environment.
An important part of a singer’s education—both while in school and after—is proficiency in the basic operatic languages. Olivia Giovetti shows singers how to economically continue their study of languages at any age and stage of life.
Michelle Goodman isn’t a singer. She has never worked for an opera company. Nor does she represent artists of any kind. And, yet, you may find her to be one of your best resources.
Daniel Helfgot, the Classical Singer 2009 Stage Director of the Year, talks about creativity, progress, and why a score, with all its details, is a terrible thing to waste.
Center Stage spotlights a Classical Singer reader in each issue. If you would like to be featured, go to www.classicalsinger.com, click on “Center Stage” and follow the instructions.
While planning the annual back-to-school September issue you’re now holding in your hands, I sought out interviewees for April James’ article on hiring agents’ perceptions of advanced degrees. I contacted
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
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