Italian conductor Carlo Rizzi discusses his crusade against bad operatic “tradition,” reveals what he looks for in singers, and explains what he was attempting in his controversial Il Trovatore performances at the Met.
Verdi: Il Trovatore Metropolitan Opera, New York City, December 7, 2000 After the Prima of the Met’s new production of Il Trovatore, the stage director Graham Vick and the lighting
Finally, after almost 30 years, The Three Queens!
Malfunctions of the TMJ must be identified and understood lest they adversely affect the singing mechanism.
The Composer’s aria from Ariadne auf Naxos is one of the great soprano arias in Strauss. Soprano? But it is usually sung by mezzos, isn’t it? In recent years, yes.
The Conclusion Of An Intimate Rap Session
Empower your career by taking part in the creation of a new musical work written just for you.
United States District Judge Richard Owen divides his time between trying cases and composing operas. His wife, soprano Lynn Owen, provides the inspiration.
Here’s the lowdown on the best known but generally least understood structures in the throat and their relationship to the singing voice.
The internationally indispensable Robert Lloyd is one bass who never has to worry about the low notes in Banco's aria. His cavernous bottom register is the stuff of legends.
Notes on NYCO's Roberto Devereaux, Bel Canto expectations, and our desperate need for emotion.
Aim for health and the weight loss will follow. It always does!
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