This installment of “The Music Major Minute” defines the genre of art song, promotes study, and reviews a valuable online resource: Elly Ameling’s lessons that sagely remind us to think before you sing.
Ever wonder how someone doing a Broadway Tour stays healthy while on the road? Read on to learn how the cast of Company is prioritizing their health!
Paul McNamara spoke with CS about his career as well as the Dutch National Opera Academy, its unique structure as a partnership between the Conservatorium van Amsterdam and the Royal Conservatoire The Hague, its curriculum and mission.
As a voice faculty member at Pace University, Dr. Peter Thoresen gets asked about repertoire suggestions A LOT. Here is one of his approaches to helping students find a balance in their audition pieces.
TRIGGER WARNING: Sexual Assault. In this article, Sam Schultz shares what the word “no” means for justice and accountability in the classical music industry.
Soprano Angela Meade shares her experience of turning competition wins into a lasting career through steady preparation and organization. Meade continues to learn at every step of her journey in singing.
Live your truth and define your own success this semester with this installment of the Music Major Minute.
Keriann Otaño and Cris Frisco discuss the future of opera in an ever-changing landscape.
Tenor Matthew Swensen shares his experiences of singing opera in Europe and throughout the U.S., as well as the adjustments he made as an early career artist to the changing landscape of opera.
A new book explores ways that singers can build inclusive singing communities and address representation in the recital hall.
On the Steps of the Shubert is an excellent teaching resource, a tribute to Sondheim and the artform he shaped with his genius, and a beautiful, living record of Broadway history.
Rising young soprano Sara LeMesh is a versatile artist who thrives on singing in a variety of genres. Here she tells us about her non-traditional path to developing her blossoming career.
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