Teacher

Statement of Purpose

To teach my students how to sing in the most free, expressive, and enjoyable manner.

The Lesson

I typically offer my students one private, one-hour lesson per week. In order to take full advantage of our time, I recommend that the student records each lesson. Also, it is a good idea to collect every few recordings in order to gauge one’s progress. Students are always welcome to e-mail or call with questions during the week. The first half-hour is usually focused on vocal exercises and technique, while the second half is devoted to the singer’s repertoire. The more experienced students are invited to sing in semi-annual recitals in Berkeley.

The Method

The technique I teach to all students is rooted in bel canto, which is most commonly exhibited by classical singers. Other influences include Alexander technique, Feldenkrais method, and my twenty-five years of private teaching experience. This method serves as a strong and flexible foundation upon which most genres of singing benefit. My students sing Classical, Musical Theatre, Pop, Jazz, and Non-Western literature.

Age and Experience

I do not have a minimum age requirement for entry into my studio. However, due to the physical sound demands, I usually suggest that young singers do not start until their voice changes (in their mid-teens). I accept students of all levels and abilities to my studio. Whether a student has plans for a career in voice or a hobbyist, my only demand is that the student maintains consistent practice.

Student Company Affiliations

My students have performed with the Metropolitan Opera, San Francisco Opera, Festival Opera, West Bay Opera, Sacramento Opera, Lyric Theatre of San Jose, The China Broadcasting Performing-Arts Group, Institut Goethe – Paris, Aspen Music Festival, BASOTI, Lamplighters Music Theatre, Woodminster Summer Musicals, TheatreWorks, Pacific Edge Voices, New Conservatory Theater, Mission City Opera, Alameda Civic Light Opera, Seaside Music Theater – Florida, Contra Costa Civic Theatre, Oakland East Bay Symphony Chorus, Théâtre Adyar – Paris, Norwegian National Opera and Ballet, Quisisana Resort – Maine, Les Misérables National Tour, and many others.

I am a member of the National Association of Teachers of Singing (NATS), the American Guild of Musical Artists (AGMA), and the International Academy of Performing Arts and Sciences.