Crossover Corner: Sunset Boulevard—the ALMOST opera
“I am big. It’s the pictures that got small” “And now, Mr. DeMille, I’m ready for my close-up” and “I hate that word. It’s a return” are some of Norma’s most iconic declarations. And by Norma, I’m talking Desmond not Druid.
Norma Desmond, the beautifully delusional heroine of Sunset Boulevard, isn’t terribly unlike her druid priestess counterpart and namesake in so far as her infrequent, yet highly anticipated returns to the stage. Full-scale stagings of Bellini’s masterpiece Norma occur less frequently than Bohèmes and Magic Flutes, and they usually herald a new or returning torch bearer of the demanding role—for better or worse as history and critics sometimes snark.