“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” -Maya Angelou Audition season is
Stories of sexual harassment have been making the news daily as the #metoo movement continues to topple predators in nearly every industry. But what about classical singing? Does sexual harassment
Creating an opera career is a long, unpredictable, and often bumpy road. Find suggestions for lucrative side hustles that can keep you afloat through the journey.
What kind of an impact does diet have on a singer? It may be more than you realize. Have a look at the provided nutritional suggestions for cultivating the optimal vocal athlete.
Among the many roles written for him, Daniel Belcher premiered the role of Brian Castner in Jeremy Howard Beck’s The Long Walk with Opera Saratoga and reprised the role with Utah Opera last spring. Belcher discusses what it was like developing this character and others for the first time, as well as where he sees opera going and why being true to yourself is really the most important thing of all.
More women than men pursue opera careers, and yet fewer roles exist for women than men in the bulk of the operatic repertoire. So, can women get a fair shot in this industry? We begin to take a look at these issues in part one of this series.
A new opera showcases the struggles one soldier faces after returning home from many tours in Iraq. Read about one singer’s eye-opening experience watching the production at Utah Opera last spring as another production sets to open at Pittsburgh Opera in January.
Read about the third edition of a popular book that explores what every singer needs to know about Body Mapping.
New York City’s Encompass New Opera Theatre has been championing new works and singers for over four decades. Read their remarkable story in this interview with the company’s Artistic Director Nancy Rhodes.
When you think of the perfect holiday album, what comes to mind first? Barbra Streisand? Chanticleer? I’m guessing most people wouldn’t imagine that a bounty hunter/truck driver would make any
Jim Meyer talks about his unique and fulfilling work for almost 45 years with San Francisco Opera as both chorus and dance manager as well as a member of the chorus.
A follow-up book by Professor of Music Kenneth W. Bozeman explores using kinesthesia and knowledge of acoustics to create more efficient singing within a voice studio.
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